Political and Cultural Debate Across the Region about Border 2 and flaring up Griptoonat Singh, a major voice from Khalistan Tehreek

Border 2 hasn’t even hit theaters yet, and it’s already causing a stir all over South Asia. Griptoonat Singh, a major voice from Khalistan Tehreek and Sikh for Justice, set things off with a sharp attack on the film’s story—and on Diljit Dosanjh, too. Singh called Border 2 anti-Pakistan and accused it of pushing a political agenda instead of showing any real history.

The debate took off right away, especially since Diljit is involved. He’s huge in both India and Pakistan and has fans everywhere Punjabi music goes. So when he signed on, a lot of people were honestly surprised.

Strong Words from Khalistan Tehreek

Griptoonat Singh didn’t hold back. He went after Border 2 for what he calls an anti-Pakistan message, saying films like this just make things worse between the two countries. In his view, movies should open doors, not build new walls. He’s not alone—the Sikh for Justice group has always pushed back against big-budget films that, they say, focus on glorifying conflict and ignore what happens to real people caught in the middle.

Diljit Dosanjh Under Fire

Now, Diljit’s at the center of the whole thing. He’s always been seen as a kind of cultural bridge—someone who can connect people in India and Pakistan through music and movies. That’s what makes this so touchy. Griptoonat Singh says Diljit should have skipped the film, especially since it’s being called anti-Pakistan by some. The idea is that artists with a big reach should be trying to bring people together instead of taking sides.

This whole debate has hit home for lots of Punjabis, especially those who feel more connected by culture than by politics.

Cinema, Nationalism, and Sensitive Borders

War movies from India always get people talking. Some folks say these films are about national pride and honoring sacrifice. Others see them as too simple—turning complicated history into black-and-white stories. With Border 2, the film’s already being used as a political football, and you can feel the tension rising. In South Asia, where old wounds still run deep, stories like this touch a nerve.

It’s got people asking: Where’s the line between creative freedom and social responsibility? What happens when films cross borders and stir up emotions in ways the filmmakers might not have planned?

Cross-Border Culture Gets Shaken

The fuss over Border 2 isn’t just about one movie. It’s about the bigger picture: how artists and entertainers walk a tightrope between what sells at home and what means something abroad. Punjabi culture has always been something that brings people together, no matter which side of the border they’re on. But controversies like this threaten that feeling, making art one more thing for politicians to fight over.

A lot of people—fans, writers, musicians—just want art to be a bridge, not a battleground.

Public and Media Buzz Keeps Growing

Social media and news outlets are eating this up. With Griptoonat Singh’s comments making headlines, it’s no longer just about a movie. The whole thing’s become a regional event. Border 2 hasn’t even been released, but everyone’s watching and waiting to see what happens next.

Griptoonat Singh’s criticism has turned Border 2 into more than just a film—it’s now the centerpiece of a much bigger argument about nationalism, the power of art, and where audiences draw their own lines. Diljit Dosanjh’s role only makes the debate more personal, especially for Punjabis who see themselves on both sides of the border.

As the Border 2 controversy unfolds, it’s clear: cinema still has the power to spark some of the region’s most heated debates.

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